Serra Bilgincan
Gasholders,
Paper Airplanes
and Love
2024
a black and white film roll spent on an East London Balcony in 2018
Gasholders,
Paper Airplanes
and Love
a black and white film roll spent on an East London Balcony in 2018








Exhibition at
June 27th – July 13th 2025
https://bantmag.com/serra-bilgincan-gasholders-paper-airplanes-and-love/











1 The Canteen Cafe / Daddy Stroller
2 Roofs and Dudes
3 Roofs and Dudes
4 Pedestrian Lives I
5 Pedestrian Lives II
6 Still Life
7 The Dreamcatcher
8 The City Cries When Lovers Embrace
9 Gasholder I
10 The Gaze
11 Paper Airplane
12 Paper Airplane
13 Objects of Pragnanz
14 Gasholder II
15 This City Is Made Of Perfectly Laid Bricks
16 Hackney Road Symphony
17 Pedestrian Lives



A frame is a confined system, consisting of different elements performing their individuality.
Details in images storytell themselves, and looking at them as a part of a larger whole reveals a whole other story simply through the coexistence of those details. By providing information about their own existence, and by becoming sources of effect and comparison, they inform you on how the larger system they belong to performs.
A car exposed to sunlight long enough to tell you it’s in a hurry to reach somewhere else in the city; a person walking on the sidewalk with rush blurring his silhouette; or a street sign that tells you some men will be digging this ground over the coming few days...
Together, these may tell you a story of how still the city is, when people on it are in constant motion going from one place to another. The city’s changes occur only over longer periods, when some prolonged, invisible action in the still image results in an effect or defect. Perhaps some underground water pipe long been under pressure finally bursts, therefore underground work needs to be covered. Or road marks appear interrupted, specifically on manholes, because they can more easily be scraped off on smoothly cast iron surfaces than rough concrete.
While friction is the enemy of a man heading to a desired destination, bags of weight are the heaviness needed to sustain a warning sign for the duration of its relevance. That man will probably not notice the cracks and the pebbles on the road he’s walking on, but the observer viewing this scene from a bird’s-eye perspective recognizes them as completing the textures of this frame. You may also compare yourself, to those who in real life experienced the instance in the picture.
Yet at times, I feel, zooming in on individual living or non-living objects alone, tends to be more moving than images composed of carefully curated individual objects.
Perhaps revealing a single object, with only one way of performing its existence, while leaving the entire surrounding to the beholder’s creativity, strikes me as more powerful.